Pop

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter

The Yours Faithfully album opens with a 94-second song called Dear Me. That one decision tells you how to read everything after it. OneNamedPeter, the Sussex-based UK singer-songwriter, built his new record like a letter. It runs from a greeting at the top to the formal sign-off in its title. It came out on September 25, 2026, after a year in which five of its songs arrived first as singles.

OneNamedPeter’s Dear Me, the greeting that opens Yours Faithfully, is in the playlist below. His full run of coverage sits on his artist profile. The album reached this desk through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news titles. Give it a spin, then read on for how the rest of the letter comes together.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter
The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

Five Singles Across 2026 Led Up to the Yours Faithfully Album and Its Letter-Shaped Running Order

The album was a long time arriving, one song at a time. Strange-Eyed Constellations came out on New Year’s Day. United Nations followed in February, and The Loneliest Boy in Tokyo in April. Then When the Sky Is Blue landed at the end of August. It was also issued in a separate Celestial Version. Finally, Click appeared two weeks before the album itself. In addition, three of those songs got their own music videos on his YouTube channel.

Most artists would let a run like that stand as a string of separate releases. OneNamedPeter decided to gather the five into a single record, alongside six songs that had not been out as singles. Then he gave the whole thing a frame. Dear Me is the salutation. Love Is, under three minutes long, is the closing line. The title is the sign-off you would write under both. His own website now greets visitors as though they were the person the letter is addressed to.

That frame matters because it turns a year of drip-fed singles into something that reads in order. Heard one at a time, The Loneliest Boy in Tokyo and Click were simply new songs. Heard between Dear Me and Love Is, however, they become paragraphs in the same piece of correspondence.

Eleven Songs in 35 Minutes Carry OneNamedPeter’s Alt-Folk and Alt Rock Pop Further After Passing for Human

Yours Faithfully runs to eleven songs and 35 minutes, and it is self-released, with OneNamedPeter holding the rights to the recordings. The shortest track is the opening greeting. The longest is The Loneliest Boy in Tokyo at 4 minutes 25 seconds. It was also the third of the five singles. Meanwhile, the record moves between alt-folk, alt-country and alt rock pop, and Apple Music files it under pop and singer-songwriter.

The song titles sketch an album that travels a long way from its starting point. There is a lonely boy in Tokyo, the United Nations and a Night In the City. There are Strange-Eyed Constellations, a Renegade Angel and even a Tardis. Finally, the closing Love Is brings it back home. For a record shaped like a letter, that sense of distance between writer and reader fits.

It also follows quickly on its predecessor. Obscure Sound reviewed Passing for Human in December 2025. It described a solo-made album born from a renewed burst of inspiration after a three-year pause. That review heard reflective folk, rock energy and a dreamy synth layer. The songs dealt with alienation, love and wanting to escape a small town. Yours Faithfully arrived less than a year later, which suggests the burst has not run out yet.

Watch the video and check the artist’s YouTube channel for more.

The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter
The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

Who Yours Faithfully Is For

This is for album listeners who like British singer-songwriter pop that moves between acoustic folk and rock. It also suits anyone who enjoys a record with a frame around it. When Obscure Sound reviewed Passing for Human, it reached for two names, and both work as reference points here. XTC made sharply written English pop with jangling guitars. For example, records such as Skylarking (1986) showed how far a pop album could go when sequenced as one piece. Momus, the long-running project of Nick Currie, built a catalogue of literate, wry songs that moved from acoustic folk into synth-pop. That overlaps with the folk-to-synth range Obscure Sound heard on Passing for Human.

Where Yours Faithfully Sits in His Catalogue

OneNamedPeter has been releasing albums steadily since 2020. The run goes from Esc and Atlas that year through Stupidly Happy, Hurts, Pan and Passing for Human. Each one gets its own page on his website, with songs, videos and lyrics. As a result, the catalogue is easy to explore from the start. Yours Faithfully is the newest entry, and it is shaped as a single message from beginning to end.

From the NewMusic.News curator team:

“Plenty of albums are collections of singles that never quite admit it. This one admits it gracefully. By opening on a short greeting and closing on a short reply, OneNamedPeter gives a year of separate releases a reason to sit together. The running order does the work a concept album usually needs a narrator for.”

Where to Stream the Yours Faithfully Album and Follow OneNamedPeter, a Sussex Songwriter

The Spotify player at the top of this article streams all eleven songs of Yours Faithfully. The album is also on Apple Music. In addition, the video for The Loneliest Boy in Tokyo is on his YouTube channel.

Follow OneNamedPeter on Spotify, Apple Music, Bandcamp, SoundCloud, and Deezer. He also posts on Instagram, Facebook, and X. His official site has a page for every album, with lyrics and videos.


Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

A West Yorkshire Songwriter Records Eight of His Songs as He Plays Them Live In June 2026, WIL.SON went back…

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Inside Ain't I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie's Drums

Inside Ain’t I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie’s Drums

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

The Brighton Duo Return with a Third Single Since Internal Noise, Produced by Michelle Hindriks

The new Seadog single was finished in two rooms on the south coast. Michelle Hindriks, of the Brighton band Ciel, produced and mixed Into The Night at 17B Studios in Brighton. Engineer Paul Pascoe then mastered it at Church Road Studios in Hove. Released on 28 August 2026, it finds Seadog making dream pop about isolation and anxiety, built around the ghosts we carry long after the lights go out. It is the latest step in a quiet, steady run.

Seadog are in the playlist below with Into The Night, among the art pop and singer-songwriter picks, and the duo’s full run of coverage sits on the Seadog profile. The single reached this desk through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news sites. Start it playing and keep reading for the story behind it.


Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton
Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

The Run of Dream Pop Singles That Brought Seadog From Internal Noise to Into The Night

Seadog is the Brighton project of Mark Benton and Tom Chadd, and their records have always taken their time. Their debut album, Cabin Fever Blues, arrived in 2018. The engineer Phill Brown, whose credits include Talk Talk, Led Zeppelin and The Rolling Stones, added production. The second, Internal Noise, began in the stillness of the 2020 lockdown. It came to full life at Bella Union’s studio in Brighton in 2024, with Jack Wolter of Penelope Isles producing and playing drums, guitars and backing vocals. His sister and bandmate Lily Wolter added guest vocals.

Crucially, that record found listeners. Writing for Obscure Sound in May 2024, Mike Mineo described an eclectic, melodic set. In his account it ran from the twangy rock haze of Old Joe to the synth-forward experiments of Analysis Paralysis, and the Wolters’ harmonies lifted Tied To A Mast. The album also earned airtime on BBC 6 Music and Amazing Radio. Its opening track, Tidal Wave, was selected for Tom Robinson’s BBC Introducing Mixtape on 6 Music and featured on Lauren Laverne’s 6 Music Recommends show.

How Michelle Hindriks Shaped the New Run at 17B Studios

Since then, the band have chosen singles over a quick third album. At War (With Everything) arrived in August 2025 and was previewed on John Kennedy’s X-Posure show on Radio X. Against The Grain followed in March 2026, and Into The Night is the third release since Internal Noise.

Above all, the biggest change is the room. For this run, the band have been working with Michelle Hindriks at her own 17B Studios. She produced and mixed At War (With Everything) there before taking on Into The Night. For the mastering, meanwhile, the band returned to Paul Pascoe, who also mastered Internal Noise, at Church Road Studios in Hove.

That continuity matters for a song like this one. A track built on creeping unease depends on small production choices. For example, how much space sits around the voice, how far the synths are allowed to drift and how close the guitars sit to the front of the mix. Working with the same producer across a run of singles gives those choices a consistent hand.

Watch the video and check the artist’s YouTube channel for more.

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton
Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

What Into The Night Answers About Isolation, Anxiety and the Ghosts That Stay After Dark

The subject is clear from the band’s own description: isolation, anxiety and a sense of creeping unease, the kind that stays after the lights go out. It is also a thread that runs back through their catalogue. When Obscure Sound reviewed Tidal Wave, the line it picked out was “Anxiety sets in”. Into The Night takes that idea and lets it fill a whole song.

The band describe their music as songs that drift between lullaby and anthem, and that tension suits the material. A lullaby is meant to settle a restless mind, so a song about night-time anxiety turns the idea around. In that sense, the single answers a simple question about where Seadog go after Internal Noise: further inward, with the same patience.

Their peers have also noticed the run. Simon Raymonde of Cocteau Twins and Bella Union put it this way: “Seadog have been quietly working their way into our hearts through a consistent run of tracks released over the last few years.”

Where to Hear the Seadog Dream Pop Single and Follow the Band Online

The band’s own reference points help place the sound. They name Grandaddy, The Flaming Lips, The Beta Band, Stereolab, Broadcast and Elliott Smith, and the combination makes sense. Grandaddy’s mix of synths and guitars sits close to Seadog’s. Broadcast’s haunted, reverb-heavy pop, by contrast, gives a sense of the mood Into The Night is reaching for. Earlier in the run, the French site Iggy Magazine picked up the 2022 single Here Nor There and praised its melodies and production.

The single is for listeners who appreciate the textures and dynamic range of alt rock pop, alternative rock and art rock. It also suits anyone who likes their dream pop with a shadow running through it. The band’s next show is at The Prince Albert in Brighton on 10 November.

From the NewMusic.News curator team: “Play Into The Night straight after Tidal Wave. The anxiety the band named on that earlier single becomes the whole subject here, and hearing the two together shows how far the Hindriks sessions have taken the sound.”

Follow Seadog on Spotify, Apple Music, Bandcamp and SoundCloud. For videos and news, the band are on the YouTube channel, Instagram, TikTok, Facebook and X, with more on the official site.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Inside Ain't I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie's Drums

Inside Ain’t I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie’s Drums

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

A Solo French Songwriter Wrote a Song About Moving Forward Together, and Made It Alone

Hub30 writes beside a coastal lake near Bordeaux, and the light on that water is where On y va begins. Released on 31 October 2025, the French single sets a reggae groove and a quiet house pulse under a pop melody. Its title, French for let’s go, is an invitation the whole song keeps repeating.

Hub30 is in the playlist below with On y va, a feel-good French single built on reggae and house, and his artist profile lists the rest of his coverage. The song reached this desk through PopHits.Co Music Charts, the programme that verifies independent artists and places their releases across its network of music news desks. Press play first, then read on for the lake behind it.


Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake
Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Hub30 Writes Beside a Sea Lake Near Bordeaux, and Its Changing Light Runs Through On y va

The scene is worth holding on to. Qobuz picked Hub30 as one of ten French chanson artists to follow in 2026. In that piece, it placed him by a sea lake near Bordeaux, drawing on the changing light and the softness of the water. Beside it, the magazine wrote, he makes utopian songs in which he dreams of people uniting and of air that is easier to breathe.

The magazine even compared the project to Henri Matisse’s Open Window, Collioure, a painting that carries strong feeling through pure colour. The comparison suits the record, since On y va also works with a few clear colours: a pop melody, a reggae groove and a house pulse.

A Solitary Songwriter From Bordeaux Builds French Pop Around the Idea of a Crowd Moving Together

Hub30 is the project of Hubert Trentesaux, and he works alone. Extravafrench, the French music site, reviewed the single in December 2025. It called him a solitary figure from Bordeaux with a universal dream. It also heard his synths as if they had been rinsed by the Atlantic wind. In its words, he makes pop the way you open a window: to let the salt air in.

That is the contradiction at the heart of the record, and it is a good one. One person, writing by the water, makes a song whose whole subject is a crowd moving in the same direction. His own description of the track says it plainly: a mellow groove and a chorus that brings people together.

The French roots matter too. According to Qobuz, Hub30’s music starts in French songwriting and then takes regular detours into house and reggae. Even so, it never loses its feel for a simple, catchy melody. In fact, the magazine pointed to the offbeat On y va as proof of that balance.

Meanwhile, the lake was in the songs long before the press noticed it. Près du lac came out in December 2023, and Living by the Lake followed in February 2024.

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake
Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

On y va Answers a Tired, Anxious World With a Mellow Groove and a Chorus Built to Gather People

The release itself is short and bright. On y va runs two minutes and fifty-two seconds, moving between pop softness, a reggae groove and a house pulse. Extravafrench heard the reggae touches as a nod to Bob Marley, a figure of peace and bright defiance. Then, it wrote, a discreet house beat turns the song into a place to gather, somewhere people dance to survive, or to love better.

The lyric stays direct on purpose. Extravafrench praised the catchy melodies and plain words. It also argued that this kind of clarity takes real precision rather than less effort. Beyond that, it heard the shadow of the Beatles, and of John Lennon above all, in the way the song reaches for utopia without sounding naive. That is the line Lennon walked on Imagine in 1971.

What the song answers is the mood around it. Extravafrench described On y va as a soft but determined call to catch your breath in a world saturated with anxiety. Seen that way, the title is less a slogan than an instruction: stop waiting, start walking, and do it together.

From the NewMusic.News Curator Team: “What we admire is how little the song asks of you. Two minutes and fifty-two seconds, one simple phrase, and a rhythm that does the persuading. Hub30 trusts the groove to make the case, and it does.”

Hub30 Followed On y va With Tu Déchires, and Where to Hear the French Single Now

The single also sits inside an unusually steady run of work. Hub30 has released 29 singles on Spotify since April 2023, starting with Les oiseaux migrateurs. After On y va came Tu déchires in January 2026, then Dunes in Motion, Au clair de la dune and To Do List.

The songs around it share its outlook. For example, Call Me Daddy, released in September 2025, captures the impatience and tenderness of a father-to-be. Similarly, his own site pitches Tu déchires as a song to wake up your inner strength and drive. So for listeners who like their French pop warm, unhurried and touched by reggae, On y va is the right place to start.

Stream On y va in the Spotify player above, or on Apple Music, Tidal, Amazon Music and YouTube. His 2024 song Living by the Lake is on YouTube Music, and his own Spotify playlist, Saison 1 : Hub30, gathers more of his songs.

Follow Hub30 on Spotify, Apple Music, Deezer, Tidal, SoundCloud, YouTube channel, Instagram, TikTok, Threads, X, Facebook and the official site.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Inside Ain't I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie's Drums

Inside Ain’t I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie’s Drums

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

The Paris-Based Artist Set Trap Hi-Hats Inside an Orchestral Arrangement for Her Second Single

Piano notes and light strings open Délires d’une Mélomane. Then the trap hi-hats snap in, and KA BERRA starts to rap about the masks people wear. The single came out on 6 June 2025, her second release. It sets a French rap confession inside an orchestral arrangement, and that contrast is the whole design.

KA BERRA’s music sits in the playlist below, next to this desk’s hip-hop and conscious rap picks, and each feature on the artist to date is kept on the KA BERRA profile. Délires d’une Mélomane came to NewMusic.News through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news desks. Play it once, then read on for the story behind the masks.


Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks
Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Why Délires d’une Mélomane Still Matters as KA BERRA Works Towards a Debut EP and a Book

A single from June 2025 could easily have faded by now. This one kept growing instead. In the months that followed, KA BERRA surrounded it with new work. Each piece added a layer to the same idea. First came Persona, a short video posted two weeks before the release. Its title borrows Carl Jung’s word for the face a person shows the world. Then, in September 2025, the official video arrived. Her third single, 25 Ans, followed in February 2026 with a pop, folk and rock sound.

The bigger reason to return to the song now is where it leads. In the notes under the official video, she calls it the visible part of a larger project. That project points towards her very first EP. Her official website places the EP inside a bigger plan called Projet de Renaissance. It is a planned pair of works. One half is a book, Comment fait-on pour se rendre à l’évidence ? The other is the EP, J’écris je rêve je chante, donc je suis. Her website still lists both as forthcoming. So for now, Délires d’une Mélomane is the clearest way into the ideas they will carry.

From a Childhood Dream of Medicine to French Indie Pop, KA BERRA Found Her Way to Rap

The ideas themselves go back much further. KA BERRA taught herself, and her biography says her biggest childhood dream was to become a doctor. That plan did not work out the way she pictured it. Instead, writing and music became an outlet for anger and hurt. Later they became a form of therapy. Today she describes her art as a way to be a doctor through words, music and stories. When the single first came out, Plastic Magazine summed up the same story by calling her pen her scalpel.

Her debut single, Paris, arrived in February 2025. It was French indie pop, an open letter to the capital and to anyone who lets themselves dream. Délires d’une Mélomane was the turn that came next. It kept her ear for melody but added rap, trap drums and an orchestra. That shift showed how far her range could stretch. Her biography also calls her a singer-songwriter, a writer and a director, and she lives in Paris.

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks
Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Piano, Strings and Rattling Hi-Hats Carry the Song From a Confession to an Incisive Chorus

The production comes from Ael a la prod, according to the credits under the official video. Nathan Cocherie handled the arrangement and the mix. Their arrangement starts small and builds with care. Plastic Magazine picked out the piano and the light string lines at the start. Then the snap of rattling hi-hats arrives as her voice comes in. HipHopEargasm filed the song under French rap and described swarming strings and cracking percussion. Even so, it noticed that the mix leaves room for every line.

Her delivery is the other half of the design. She moves between sung melodic lines and a sharper rapped flow. As a result, the song never settles into one register for long. Her own website calls the chorus striking and incisive. PowHer Sound, a blog that covers women in music, used the same word for it. Meanwhile, Zillions Magazine heard strings in the background and a delivery that was sharp and heartfelt at once. The single also drew notice from Music Taste and Groove Africa.

The Masks, the Inner Child and the Délires d’une Mélomane Video

The subject is pretending. Her website describes faking it as an art in itself: the art of hiding your vulnerability and putting on armour. The song follows that idea through a personal story that anyone can recognise. In the video notes, she asks what people really hide behind their masks. Is it fragility, inner struggles or their true nature? She also asks whether a mask used as a shield can leave someone a stranger to themselves.

The official video, directed by SLOWN with Selim Chebbi as director of photography, adds a second character to that story. Its credits list Tifenn Keza Georget as the inner child. That is the part of a person that still dares to go without a mask, to dream and to create. Seventeen extras fill out the scenes, and KA BERRA thanks each of them by name.

What Délires d’une Mélomane Answers, and Where to Follow KA BERRA Next

The answer is the most hopeful part of the song. KA BERRA does not ask anyone to tear their masks off. In the video notes, she suggests the opposite: handle the façade on your own terms and let a mask become a guide. Worn that way, a mask can help you explore and become the person you want to be. For a track about armour, that is an optimistic place to land. It also explains why the orchestra sounds grand rather than bleak.

She dedicated the song to everyone who lives music as an emotion, a madness or a refuge. The dedication also reaches the music lovers, the homebodies, the loners and the people who go out to party. That list explains the title, which translates loosely as the ravings of a music lover.

Where It Sits Beside Stromae and Diam’s, and Who It Suits

Listeners who follow French-language rap have two clear reference points. Stromae has built a career on moving between singing and rapping in French. Stromae’s 2022 album Multitude drew on styles and instruments from many cultures. KA BERRA’s shifts between melody and flow over an orchestra come from a similar instinct. Diam’s is the other touchstone. Records such as Dans ma bulle in 2006 showed how much weight first-person writing could carry in French rap. That frankness is the tradition Délires d’une Mélomane writes from.

It suits listeners who like their rap with melody and a story. It also suits anyone who has kept up a brave face for too long. The song works as the door into her catalogue, too. Start here and go back to Paris for her indie pop side. Then play 25 Ans to hear where she went next.

From the Curator Team: “Délires d’une Mélomane could have buried its voice under the orchestra. Instead, the strings and piano leave space around every line. A song about hiding still sounds open, and the chorus hits harder because of it.”

Stream Délires d’une Mélomane on Spotify and Apple Music. You can also find KA BERRA on Deezer and SoundCloud. The official video is on YouTube, and the rest of her clips are on her YouTube channel.

Follow her on Instagram, TikTok, Threads and Facebook. News about the EP, the book and the rest of her work is on her official website.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Inside Ain't I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie's Drums

Inside Ain’t I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie’s Drums

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

Dustin Goldklang Set a Low Moment to Bright Guitars on a Home-Recorded Indie Pop Single

Dustin Goldklang recorded Oops I Got Sad in a makeshift studio above a garage in Asheville, North Carolina. He gave a low moment a bright, bouncing arrangement. The song came out as a single on 2 December 2022, and it is the work of Little Champion, Goldklang’s one-person indie pop project. Its subject is ghosting, and the particular sadness it leaves behind.

Little Champion’s song is in the playlist below, alongside the rest of this desk’s rock and alternative selections, while the act’s full coverage history sits on the Little Champion profile. Oops I Got Sad reached NewMusic.News through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news titles. Give it a first listen, then read on for how the song came together.


Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting
Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

Oops I Got Sad Grew Out of Ghosting and Little Champion’s Decision to Make It Sound Bright

Most people know the moment behind the song. A conversation that seemed to be going somewhere simply stops, and there is no argument to replay, only silence. When the single came out, Goldklang told Popfad that he “wrote this song about being sad after getting ghosted”. The title turns that feeling into a shrug and a confession at the same time.

That mix of sad and funny is the project’s signature. In fact, the biography on the official website describes songwriting that is fluid yet structured, thoughtful yet goofy, and sad yet funny. It is a fair description of a track that sounds cheerful while admitting it is not.

From Folk-Punk House Shows to a Garage Studio, Goldklang Built Little Champion in 2021

The road to the song was not a straight one. Goldklang spent his late teens and early twenties on the DIY folk-punk house-show circuit, playing as Dustin and the Furniture. After that, he stepped away from music for several years. Along the way, as Plastic Magazine reported, he spent more than a decade as a professional poker player.

Then, in 2021, with time at home during the pandemic, he picked up the guitar again and formed Little Champion. The first release came in April 2022, a two-track single called 2 Songs that paired Snow Day and Holiday.

Oops I Got Sad followed in December. Over the next few weeks, the reviews read it as a sign of the project growing. For example, Mesmerized heard a witty take on ghosting, a bedroom pop ethos and crystal-clear vocals. Meanwhile, The Other Side Reviews added the track to its rock playlist on Deezer.

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting
Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

Softly Distorted Guitars and a Plain-Spoken Lyric Carry the Sadness Without Letting It Sink

The arrangement is where the song answers its own moment. Plastic Magazine heard an upbeat, light sound full of gentle rhythm, softly distorted guitars and vibrant vocal leads. Crucially, that brightness sits against a lyric about feeling low. Illustrate Magazine singled out the guitar tone, clean with only a little gain, and a bridge where the guitar moves into its lower notes. The track runs to just over three minutes, and the mood never sinks with the subject.

Goldklang wrote, performed, recorded and produced it himself, so the home-studio approach is part of the appeal. The song later became part of the debut album Curiosity, released in March 2023. Goldklang has described that record as containing at least one explicit question in every song. A second album, Peaks Island and Other Places, followed in May 2025 with songs about place and loss.

So who is it for? Listeners who came to home-recorded pop through Clairo will recognise the approach, since her early bedroom recordings made a small, personal sound feel direct. Fans of Bleachers get the other half: bright, driving guitar pop that carries a heavier feeling underneath. Both appear on the list of influences Plastic Magazine reported for the project.

From the Curator Team: “Oops I Got Sad is a small song that knows exactly what it is doing. The guitars stay clean and bright, the melody keeps moving, and the lyric admits the sadness without asking for pity. That balance is why it still sounds fresh on a first listen today.”

Where to Hear Oops I Got Sad and Follow Little Champion From San Francisco

Little Champion now works out of San Francisco. Stream Oops I Got Sad on Spotify, and follow the full catalogue on Apple Music, Bandcamp and SoundCloud. Music videos, including the one for the 2024 single Drive, sit on the YouTube channel.

Keep up with Goldklang on Instagram, TikTok, Facebook and X. The Linktree collects shows, merch and the latest album in one place.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Inside Ain't I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie's Drums

Inside Ain’t I the Fool: How Jack Hoban Built a Blues Confession Around Bernard Purdie’s Drums

Giuseppe Cucè on Three Years of Singles and the Making of 21 Grammi

The Catania Songwriter Returned After a Decade and Built His Third Album Single by Single

In 2022, ten years after his last album, Giuseppe Cucè took the first step towards 21 grammi. He did it with a single rather than a record. Di estate non si muore and La mia dea came out that year. Five more songs followed over the next three. On 20 June 2025, all of them found a home on the album, a concept record about the weight people carry.

Giuseppe Cucè’s opener È tutto così vero is waiting in the playlist below. Everything this network has published on him is gathered on his artist profile. 21 grammi reached NewMusic.News through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news desks. Press play on it, then read on for the long road behind the album.


Giuseppe Cucè on Three Years of Singles and the Making of 21 Grammi
Giuseppe Cucè on Three Years of Singles and the Making of 21 Grammi

Before 21 Grammi, Giuseppe Cucè Spent a Decade Between Records

That return makes more sense once you know where he started. Cucè grew up in Catania, a city he has described as shaped by the shadow of Mount Etna. He told M.E.I. News that he began writing songs as a teenager. Over time, it stopped being a choice and became a necessity. His early career ran through local stages and collaborations with musicians from his own city. Then came the first studio recordings.

His discography lists La ballata di un fiore (2008), La mela e il serpente (2009) and Attraversando Saturno (2012). Spotify still carries Cuore, a song from 2009, so the earlier voice is easy to find. M.E.I. News introduced 21 grammi as the record that followed two albums and numerous singles, which makes it his third.

Along the way, he also took the songs into smaller rooms. His official biography singles out a performance at the Le Petit Saint-Martin Theatre in Paris. He has also spoken about a University Radio Tour across Italy with only guitar and voice. Meanwhile, he works outside music too, creating perfumes through a project called Scenografie Olfattive, and he paints. None of that sits far from the album, which treats feeling as something you could almost weigh in your hands.

Why 21 Grammi Was Built From Singles Released Between 2022 and 2025

The concept is right there in the title. The record borrows the old idea that the human soul weighs 21 grams. It turns that into nine songs about love, desire, memory, separation and rebirth. What makes the album unusual is how long its parts had already lived in public. His discography page lists seven of the nine tracks as singles between 2022 and 2025. The opener, È tutto così vero, arrived on Spotify three weeks before the album. Una notte infinita is the one song with no earlier release listed.

That history changes how the record sits. Dimmi cosa vuoi and Fragile equilibrio had two years to settle before they were sequenced together. By contrast, Cuore d’inverno, released through TRP Vibes, joined them as the most recent piece. Heard in order, the songs read less like a collection of singles and more like chapters written out of order. That suits a concept album about memory.

Musically, the album keeps to the sound Cucè has described as analogue, orchestral and cinematic. It is Mediterranean songwriting built on real instruments, strings and piano rather than electronic production. The voice and the lyrics stay at the centre. Nine songs pass in roughly half an hour, so the concept never has to stretch to fill the space.

The response has also travelled. The album has drawn coverage across Europe, the United States and Latin America. In Germany, both Berlin On Air and NewIndieRadar wrote about 21 grammi, each placing it in indie folk.

Watch the video and check the artist’s YouTube channel for more.

Giuseppe Cucè on Three Years of Singles and the Making of 21 Grammi
Giuseppe Cucè on Three Years of Singles and the Making of 21 Grammi

After 21 Grammi, a Spanish Version With Pandi and a New Single in 2026

Since June 2025, the path has pointed outward. In October 2025, Cucè released El mundo es verdadero, a Spanish-language version of È tutto così vero. Pandi, the alias of Alessandro Spagna, adapted the lyrics. The Mexican outlet IndieAM described it as Latin pop in which son, guajira, rumba and danzón meet. It was produced by Riccardo Samperi and Pat Legato and released on TRP VIBES. For a songwriter whose work has always leaned south, it is a telling decision.

Then, on 3 July 2026, came Estasi e veleno, his newest single. It already sits at the top of his most-played songs on Spotify. Taken together, the two releases suggest a clear direction. The album’s world is being carried into another language and extended with new songs, not left behind.

For listeners, the useful reference points sit on both sides of the Atlantic. Caetano Veloso comes first, and not only as a comparison. Cucè has named him among his influences and as an artist he would love to work with. Veloso’s albums have also long paired poetic lyrics with orchestral arrangements. Jorge Drexler is the second. His literate lyrics and acoustic arrangements suit anyone drawn to the organic side of 21 grammi.

Stream Giuseppe Cucè 21 Grammi and Follow What Comes Next

From the NewMusic.News Curator Team: “Most albums are written towards a release date. 21 grammi was assembled from songs that had already lived in public, some of them for three years. That is why the concept holds together: almost every track had to earn its place twice.”

The full album plays in the Spotify player above, and it also streams on Apple Music, Deezer and Tidal. Start with È tutto così vero on Spotify. Then follow Giuseppe Cucè on Spotify, Instagram, Threads, TikTok, X, Facebook, his YouTube channel and his official site.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

SPACELY and the Making of Here, JP Warner’s Sci-Fi Single About Staying in the Moment

A Chicago Producer’s Cinematic Alt-Pop Project Turns Mental Health Into an Original Sci-Fi Saga

When JP Warner started writing as SPACELY, he made one decision that shaped everything after it. He would tell his own story through a character. That character is Captain Joseph Spacely, stranded with his crew on an uninhabited moon and facing their inner demons. Released on April 3, 2024, the SPACELY single Here then takes that idea somewhere direct, because it is alternative pop about staying fully present.

SPACELY and JP Warner have Here in the playlist below, so it is the first stop for anyone meeting the project today, and the rest of the coverage sits on his artist profile. Here came through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news sites. Play it first, then read on for why it matters now.


SPACELY and the Making of Here, JP Warner's Sci-Fi Single About Staying in the Moment
SPACELY and the Making of Here, JP Warner’s Sci-Fi Single About Staying in the Moment

Why the SPACELY Single Here Matters Now, as the Sci-Fi Saga Heads Toward Its Next Chapter

The timing is worth explaining. ECLIPSE, the album that holds Here, arrived a chapter at a time through 2024. Crash was billed as Chapter 3 that May. After that, Reforge followed as Chapter 9 of 11 by December, and the full record finally landed in 2025. Now SPACELY’s official page promises that the captain and crew will return in 2026. So the story sits between chapters, which makes this a natural moment to return to the song that states its purpose most plainly.

Here sits fourth on the finished album, after the overture, Destiny and a short interlude titled with a numeric code, 012.012.082. In total the album runs to 22 tracks and 43 minutes, and those coded interludes recur between the songs. Heard in that sequence, Here lands early, almost like the thesis of the whole record.

The SPACELY single also arrived with a head start. In the weeks after its April 2024 release, Here drew write-ups from Hailtunes, Mesmerized, Beach House Mag and Muse Chronicle. Brazil’s IndieOclock covered it too. In fact, most of them picked up on the same pairing of a large sound and a very personal subject.

The Chicago Producer Behind SPACELY and the Captain Joseph Spacely Story

The person behind it has spent years on the other side of the glass. JP Warner is a Chicago-based producer, artist and storyteller with more than a decade in the studio. First, he co-founded the DJ duo MiNDTRiX, and only then moved into pop production. His collaborators include TE/MO, Excision and Jorge Rivera-Herrans, the creator of EPIC: The Musical.

Alongside SPACELY, he also runs a jazz catalogue under his own name and NIGHTSWIM, a melodic house project. SPACELY is the one he describes as his vessel for processing what he has learned about managing his mental health and finding inner peace.

Musically, Here is built from layered synths and punchy percussion. On top, the vocal climbs from firm verses into a wide, soaring chorus. Muse Chronicle traced the influences to Hans Zimmer, Blink-182 and Porter Robinson. Meanwhile, Mesmerized heard the finished single as grand, sweeping alt-pop when it arrived.

The theme is simple, and deliberately so. Muse Chronicle described Here as a song about being fully immersed in the present moment. Similarly, Beach House Mag noted how deeply Warner’s own experience with mental health runs through the lyrics. Writing through a character is also what makes that honesty possible. SPACELY told Mesmerized that writing as Captain Joseph Spacely makes it easier to be vulnerable. In addition, the same interview credited sci-fi films as the fuel for building the world around the songs.

SPACELY and the Making of Here, JP Warner's Sci-Fi Single About Staying in the Moment
SPACELY and the Making of Here, JP Warner’s Sci-Fi Single About Staying in the Moment

What Here Offers Fans of K-Pop, Game Soundtracks and Film Scores

SPACELY’s music is pitched at a crossover crowd: fans of K-pop, Riot Games soundtracks, film scores and electronic music. The SPACELY single suits that listener well, because its hook is pop-sized while its scale borrows from the screen.

The clearest reference point is Porter Robinson, whose album Nurture turned a hard stretch of self-doubt into bright, big-hearted electronic pop. Hans Zimmer explains the other half of the sound, with its patient builds and the sense of a scene opening up. Blink-182 may look like the outlier. Still, that band’s gift for a plain-spoken chorus is exactly what keeps Here grounded.

So what does Here answer? For listeners who like their pop with a story attached, it is an easy way into a larger world. Meanwhile, for anyone facing their own version of the captain’s moon, it is a three-and-a-half-minute reminder to come back to where they are.

The NewMusic.News curator team: “Here works because JP Warner keeps the message small while the production goes big. The chorus opens out like a film cue, yet the idea at its centre is a single instruction to stay present, and that contrast is what gives the song its pull.”

Stream the SPACELY Single Here and Follow the Project Across Platforms

Start with the SPACELY single at the top of the page. After that, carry on through ECLIPSE, where Here sits among the chapters of the captain’s story.

Keep up with SPACELY and JP Warner here:


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Nathav Sings in English on Moon River, Nine Years After Her Danish Debut

The Copenhagen Songwriter Came Back with Four Songs of Electronic Blues and Minimalist Synth-Pop

You Still Miss Her opens the Moon River EP by Nathav on a piano figure in an uneven 5/8 pattern. Halfway through, a bank of synthesisers rises underneath it. The song first came out as a single in May 2024. It was the first new Nathav song in almost nine years, and the first she sang in English.

Nathav’s title track sits in the playlist below, among our pop and art-pop picks, and this network’s coverage is filed on Nathav’s artist profile. Moon River came to this desk through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news desks. Press play on the EP, then read on for the nine years that led here.


Nathav Sings in English on Moon River, Nine Years After Her Danish Debut
Nathav Sings in English on Moon River, Nine Years After Her Danish Debut

The Long Pause Before Moon River, From a Danish Debut in 2015 to Nathav Singing in English

A Voice That Had Already Led Three Bands

Nathav is the solo name of Mathilde Lunderskov, and it joins the Danish words for night and sea. By the time she chose it, she had already spent years at the front of other line-ups. She sang lead in the Scandinavian indie-pop band Lovebites, which released three albums. After that band split, she founded the dream-pop and noir group Blake and toured Europe with it. Then, in 2010, she formed the synth-pop duo Umatic with her brother, Lukas Lunderskov, and released the album Ashes & Diamonds.

Her own biography notes that her voice and style are often compared to Kate Bush and Goldfrapp. Both comparisons point at something specific. Kate Bush made her name with a high, dramatic vocal set against piano. Her 1978 single The Man with the Child in His Eyes is one example. Similarly, Goldfrapp’s 2000 debut, Felt Mountain, put Alison Goldfrapp’s voice over electronics that borrowed from old film scores. Reviewers heard a similar pull towards old Hollywood on this EP.

Nine Years Away From the Nathav Name

Nathav began as a Danish-language project. The single Tiger came out in April 2015. The self-titled debut album followed on Target Records that August, with seven songs including Hedy Lamarr and Er Det Blod.

Then the project went quiet for a long time. According to Nordic Music Central, family matters and then the pandemic kept her out of circulation. In between, she appeared as one of the guests on Unify, a 2016 single by The Ball and The Wall. Otherwise, no new Nathav release came out until May 2024. When the songs did return, they were in English.

That is the moment Moon River belongs to. Lunderskov had three bands and a Danish album behind her. She restarted the project in a different language, with the same producer at her side. So what would a return like that sound like after so long away?

Watch the video and check the artist’s YouTube channel for more.

Nathav Sings in English on Moon River, Nine Years After Her Danish Debut
Nathav Sings in English on Moon River, Nine Years After Her Danish Debut

Four Songs of Electronic Blues on Moon River, and What the Return of Nathav Answered

The Four Songs, Track by Track

Moon River came out on 29 November 2024 on Horror Comfort, and it runs just under 15 minutes. Two of its songs arrived first as singles: You Still Miss Her in May and Boy Model in August. The producer is Noah Rosanes, who also produced the 2015 debut. The two go back a long way, since their parents sang together in the 1970s disco vocal group Flair.

The opener sets the terms. You Still Miss Her is electronic blues about standing in the shadow of a partner’s earlier love. Nordic Music Central’s David Bentley traced its piano to a 3+2 pattern in 5/8. He also noted how the synthesisers build to two separate peaks. Meanwhile, Extravafrench heard Vangelis and old James Bond soundtracks behind it.

Boy Model, heard here in its full version, moves towards downtempo electronica. It follows a young male model in New York who works through the night. The song is as much about loneliness and lost innocence as about the job.

The title track widens the frame. According to IGGY Magazine, Lunderskov wrote the lyrics of Moon River with Edie Kuhnle in the Hollywood Hills. In addition, Obscure Sound hears the song in two halves. Old-Hollywood balladry comes first, and then a warning about trusting a pretty face.

Finally, Look at Us Now closes the EP on a piano progression recorded live, as IGGY Magazine reports. It turns the famous gap on the London Underground into the image of a wound that will not close.

What Moon River Answered for Nathav

A return after nine years raises two fair questions. Would listeners still come, and would the voice carry over into a new language?

The streaming figures answer the first. On Spotify, the four Moon River songs are the four most-played recordings in the Nathav catalogue. You Still Miss Her leads with 10,111 plays, ahead of Look at Us Now on 8,561. Moon River follows on 7,467, and the full version of Boy Model on 5,785. By comparison, the most-played song from 2015, Tiger, sits on 4,793. Those figures were read on 17 September 2026.

The reviews answer the second. Obscure Sound heard a bluesy spirit in the vocal on the opener. Nordic Music Central singled out a soprano that cuts through the synthesisers at their peaks. Later, the same site put You Still Miss Her in its 2024 Songs of the Year, and its review of the next single records that choice. That coverage ran in English, French, Portuguese, Spanish and German. End Sessions wrote in Spanish, for example, and Music For All in Portuguese.

The project has also kept moving since. Nathav followed the EP with Don’t Quit Your Day Job in May 2025 and Over You that December. As a result, Moon River now reads as a restart rather than a one-off.

So this is an EP for listeners who like their pop slow, dark and led by a voice. It also suits anyone curious about what nine years away did to a songwriter with three bands behind her. Start with You Still Miss Her, then let the other three songs run in order.

NewMusic.News curator team: “Moon River earns its place on our features desk because the return kept its foundations. The Danish songs of 2015 were built on piano, synthesisers and Mathilde Lunderskov’s voice. The English songs of 2024 stand on exactly the same three things.”

Listen to You Still Miss Her on Spotify. Follow Nathav on Spotify, Apple Music, Deezer, Tidal, Bandcamp, SoundCloud, YouTube, Instagram and Facebook. Her official site lists new releases and concert dates.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Inside 唇友谊: Moon Chew, a Singapore Music Producer, Makes Room for a Rapper

Moon Chew Built Her Singapore Catalogue Beside One Collaborator, and 唇友谊 Adds a Third Voice

Most of the records Moon Chew works on in Singapore are not hers. She is a music producer who also works as a mixing engineer, and for most of the last decade her job has been simple enough to state. Take other people’s songs and make them sound like themselves. On 唇友谊, out on 8 May 2026, she did something she had not done on one of her own tracks. She gave part of it to somebody else.

Moon Chew’s music is in the playlist below, and the coverage history sits on the Moon Chew profile. 唇友谊 reached this desk through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news titles. Listen before you read the rest.


Inside 唇友谊: Moon Chew, a Singapore Music Producer, Makes Room for a Rapper
Inside 唇友谊: Moon Chew, a Singapore Music Producer, Makes Room for a Rapper

How Moon Chew Got From the Singapore Mixing Desk to the Front of the Song

The order of her career is worth knowing, because it is the reverse of the usual one.

Moon Chew has worked in music production since 2010, and she still takes client work as a mixing engineer. Her SoundBetter profile describes her plainly as a Singapore-based mixing engineer and vocalist. It lists mixing at around three hundred dollars a song and carries seventy-four reviews. She works in Logic Pro X through an Audient interface, on PreSonus monitors, into a Neumann TLM 103. During the pandemic, when nobody could share a room, she mixed virtual classical orchestra and choir projects. That job teaches you how to assemble a performance out of parts that never met.

She is also clear about what she thinks the work is for. On that same profile she puts musicality and emotion ahead of sounding technically good. Her job, as she describes it, is bringing those out of somebody else’s mix.

The Covers Came Before the Songs

The singing arrived in public later, and it arrived through other people’s material.

From 2017 she began posting covers on her YouTube channel. Two of them, 畢竟深愛過 and 紙短情長, say so in their own titles. That grounding still shows in what listeners reach for. Several of her most-played recordings share their titles with well-known Mandopop songs, among them 體面, 烏梅子醬 and 讓我留在你身邊. Hear65, the Singaporean music platform run by Bandwagon, lists fifteen of her releases. It files them across pop, Mandopop, alternative, acoustic and electronic.

Covers are a reasonable way for a producer to become a singer. You learn the front of the song without also having to defend the writing. If you are already the person mixing it, you can hear exactly what your own voice needs. Her own stated reference points sit in that lineage. She names LaLa Hsu, Rainie Yang and G.E.M. as the singers her work sounds like. The originals came after that, and she produced, arranged and mixed those herself.

What 唇友谊 Changes for Moon Chew in Singapore

She has made most of her originals on her own, and many of the recent ones with a single collaborator, which is the part the release itself makes visible.

Spotify credits GHAZT on 唇友谊. GHAZT also appears on at least five more of her originals: 餘光一角, 躲猫猫物语, Mobius Strip (莫比乌斯环), 换季关系 and 血吻. 换季关系 got an official music video in November 2024. Read across the catalogue, GHAZT is not a guest on a track. GHAZT is the other half of how these songs get written.

That is what makes the new name interesting. The credits name Edward Chan as the rapper and the song’s lyricist, and his Spotify artist page currently lists this one track. The collaboration is at its start, then, rather than somewhere inside an established run. A settled two-person partnership with six songs behind it has a shape, and shapes are hard to open. Handing a section to a third person means agreeing in advance to leave room you would otherwise have filled.

From the NewMusic.News curator team: “The story on 唇友谊 is not that an independent singer booked a feature. It is that a working music producer decided her own song would be better with somebody else in it. She has spent years making other people’s records sit right. That is a harder call than it sounds when you are also the one balancing the result.”

Inside 唇友谊: Moon Chew, a Singapore Music Producer, Makes Room for a Rapper
Inside 唇友谊: Moon Chew, a Singapore Music Producer, Makes Room for a Rapper

What the Track Answers

Three minutes is not long to introduce a third voice, and the track does not try to stage a summit.

What it does is test the Moon Chew and GHAZT arrangement. Can it carry a register it has not carried before? The catalogue around it leans on sung Mandopop melody, some of it acoustic, some of it electronic. A rap verse is a different rhythmic logic. It either sits inside the arrangement or it sits on top of it. Anyone who has mixed for a living knows which of those they are aiming for, and Moon Chew mixed this one with GHAZT.

The opposite decision is just as deliberate, and this desk has written about a debut built with no guests at all. Neither route is the safe one. They just fail in different directions.

Whether this is a new direction or a single experiment stays open. Her releases have arrived steadily enough that an answer should not be far off. The useful thing about following a producer who fronts her own records is simple. You hear the decision-making rather than guess at it.

Where to Hear 唇友谊 by Moon Chew

唇友谊 is on Spotify, and her back catalogue sits on her YouTube channel.

Follow Moon Chew on Instagram, TikTok and Facebook.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

Flixton: Te Quiero Aqui and the Case for A Five-Minute Dance Track

The Devon-Based Producer Comes From Manchester and Releases Across Six Drum and Bass Labels

Te Quiero Aqui runs five minutes and twelve seconds. That is a long time for a vocal dance record, and it is the first thing worth knowing about it, because everything else follows from the decision to leave it that length. Flixton released it on 24 November 2023, and a drum and bass producer writing a Spanish-titled, pop-leaning track was not the obvious next move for him.

Flixton’s music is in the playlist below, and this desk’s coverage of him is collected on the Flixton profile. Te Quiero Aqui reached NewMusic.News through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news titles. Start it playing, then read on.


Flixton: Te Quiero Aqui and the Case for A Five-Minute Dance Track
Flixton: Te Quiero Aqui and the Case for A Five-Minute Dance Track

Where Flixton Comes From, And What Te Quiero Aqui Is

He is from Manchester and lives in Bideford, on the north Devon coast. That is a long way from any drum and bass scene worth the name, and the distance shapes the catalogue.

Producers who cannot walk to a club night tend to write for the record rather than for the room. It shows here: most of his output goes out through labels rather than through sets.

There is a lot of it. His own pages list releases on Lizplay, Mathematica Records, Liquid Brilliants, Nexxus Recordings, Ransom Recordings and UltraTech Liquid NRG. The Bandcamp catalogue reads like a working producer’s ledger: Spectrums, Through The Woods, Real Murda and Sniffer on Ransom, Afterlife and I Don’t Want on Ultratech, The Only Religion, Dark Skies and Broken Reality on Nexxus. Each carries a catalogue number.

Alongside them sit free bootlegs and dubs. That is what a producer does when a track works on a floor but cannot be cleared.

Why Five Minutes Twelve Is The Point

Against that background, Te Quiero Aqui is a departure. It has a sung lead and a Spanish title. Its structure gives the vocal room to arrive rather than dropping straight into the break.

It gets filed as commercial vocal dance, drum and bass, and electronic pop all at once. For once that triple tag is doing real work rather than hedging, because the track genuinely sits between the three.

Five minutes twelve is the tell. A pop record would have been cut to three. A club record would have kept the intro long and the vocal short. Flixton did neither on Te Quiero Aqui, which suggests he wrote it as a song and arranged it as a dance track, in that order.

Flixton: Te Quiero Aqui and the Case for A Five-Minute Dance Track
Flixton: Te Quiero Aqui and the Case for A Five-Minute Dance Track

What Te Quiero Aqui Answers

The question a catalogue track poses is whether it found the audience it was built for. The coverage suggests it found a slightly different one.

Tape Ranger ran an artist spotlight in December 2023. They called it a catchy tune with a dynamic instrumental, and credited the songwriting and the production work separately, which is a distinction worth noticing. They then added it to their Indie POP! playlist. Inspot Music picked it up for a daily discovery round-up in the same period.

Neither of those is a drum and bass outlet. A producer with six DnB label affiliations made a track that indie-pop curators reached for. That is the most interesting thing that happened to this record, and it suggests the song survives being taken out of its genre context.

From the Curator Team: “We keep this one on file because of where it landed rather than where it came from. A drum and bass producer whose track gets picked up by a pop playlist has written something with a spine that holds up without the sub underneath it. That is the harder skill, and it is why the record is still worth putting in front of people two years on.”

Who It Is For, And Where To Hear Flixton

His wider catalogue backs the reading. Alongside the label output sit Breaking Up, Angel In My Bed, XTC, More Forgiving, Future Thoughts, In My Lair, Didn’t Wanna Lie, New Beginnings and Freedom, plus Realize with Platnum. Those are song titles, not track titles. He has been writing toward this for a while.

So this suits listeners who want dance music with an actual vocal performance in it. It suits people comfortable with a record that takes its time. You do not need to know the difference between liquid and jump-up to enjoy it.

Te Quiero Aqui is on Spotify, and the label catalogue is on Bandcamp.

Follow Flixton across platforms: Spotify artist page, Instagram, Facebook and X.


The Long Way to Yours Faithfully, OneNamedPeter's Album Signed off Like a Letter

The Long Way to Yours Faithfully, OneNamedPeter’s Album Signed off Like a Letter

A Sussex Songwriter Gathers a Year of Singles Into an Album Framed as a Letter The Yours Faithfully album opens…

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

Inside Proceed 2: How Kennard Built a Baltimore R&B Album From Loss and Patience

A Baltimore Singer Spent Two Years on Eight Songs About Grief, Love and Old-School Soul In 2011, after his grandmother…

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

WIL.SON on One Guitar, a Stomp-Box and the Making of Blues Tourist: Vol. 1

Johnny Marr Road-Tested The Age of Everything Before Recording It

Johnny Marr Road-Tested The Age of Everything Before Recording It

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Ada Rovatti on Piloo, Her Late Father and the Making of Done Deal

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Husk: How Scarecrowz Built a Self-Produced Hard Rock Album in Their 25th Year

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Walking the Tightrope: How Stephanie Phillips Built a Folk Album Between Grief and Joy

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside Into The Night: How Seadog Built a Haunted Dream Pop Single in Brighton

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Inside On y va: How Hub30 Built a Feel-Good Song From Reggae, House and a Bordeaux Lake

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

Erick Castrillon on the Singularity, Generative AI and the Making of The Great Awakening

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

The Long Way to From Local to Global: The Remix That Closes the Spitfire Sparks Album

Inside Délires d'une Mélomane: How KA BERRA Built a Rap About Masks

Inside Délires d’une Mélomane: How KA BERRA Built a Rap About Masks

Oops I Got Sad Is Little Champion's Upbeat Answer to Ghosting

Oops I Got Sad Is Little Champion’s Upbeat Answer to Ghosting

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production

The Long Way to Forever: Gio 22/6, Rado Ricky and Five Years of Soft R&B Production